| For itself of Chinese painting, it is an extremely | | | | and lodge-ink. With the skill of using water, there are |
| difficult art. Present skill of Chinese painting can be | | | | endless skills. These infinite skills present various |
| exactly summarized with two words "brush and ink". | | | | visional types, such as large or small, thick or light, |
| "Brush and ink" in Chinese painting is just the most | | | | long or short, square or round, transverse or upright, |
| significant means to form abstract present of | | | | wind or straight, light or weight, numerous or simple, |
| Chinese Painting. Two words of "brush and ink" | | | | void or real, motive or quiet, light or thick, gathering |
| should have three explanations nowadays. The first | | | | or dismissing, open or close, slow or quick, strong or |
| one is the names of tool materials of Chinese painting | | | | weak, serious or free, young or old, simple or |
| (ink-wash painting), which just refers to the brush | | | | colorful, quiet or busy, vigorous or charming, bright or |
| and the ink. The second one is it is the general name | | | | dark and grant or elegant. With the present style of |
| of traditional present skill of Chinese painting (using | | | | general line, unique sculpt skill of using brush and ink in |
| brush and ink). The third one is it not only refers to | | | | Chinese painting is built. |
| accumulated experience and traditional essence, but | | | | In Chinese painting, both nice and fluent traditional |
| also includes a variety of present skills developed, | | | | Chinese realistic painting with its excellent and unique |
| enriched and innovated based on traditional skills of | | | | present to characters, grasses, flowers, birds, |
| using brush and ink. | | | | mountains and water and natural vigorous traditional |
| Tool materials of Chinese brush and ink have very | | | | Chinese freehand painting with its powerful romantic |
| complex functions of application: Use the brush's | | | | charm not only come from internal artistic spirit of |
| center, side, loosed, free or adverse part with skills | | | | artists, but also spring from brush, rice paper and |
| of rapidness, slowness, lifting, pressing, pausing and | | | | Chinese ink. Chinese painting will show its gloss with |
| transiting. Use strong, light, dry, wet, withered or | | | | its unique character forever. |
| moist ink with skills of amass-ink, splash-ink, cleave-ink | | | | |